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These notes are to provide more background information to the plays
than we are able to fit in the paper programme
Escaped Alone by Caryl Churchill
Three old friends and a neighbour, backyard tea with environmental disaster, exploring themes of
politics, crisis, communication and female endurance. A summer of afternoons in
the back yard.
Tea and catastrophe!
The play is divided into eight sections; in each section the conversation is suspended while Mrs Jarrett
delivers
a monologue describing an evolving apocalyptic scenario in horrific
and frequently surreal terms.
In addition, in the second half of the play, each
of the other characters delivers a short soliloquy or aside,
laying bare their
own particular psychological troubles:
Sally's phobia of cats; Lena's crippling
depression;
Vi's intense dislike of kitchens, having killed her husband in her
own kitchen several years before.
The pleasant conversation is frequently interrupted, by the
neighbour, Mrs. Jarrett, who addresses the audience
with long monologues about an
apocalyptic world.
The play speaks to our fears about the
future of the planet,
as well as our personal anxieties, while also offering
some salvation in the strength of our community,
as friends, neighbours or
open-minded theatre goers.
Humour and pathos.
This brilliantly written, sometimes uncomfortable play comes with no easy answers.
Controversial and open to interpretation, it it intricately wired into current politics.
A seemingly pleasant tea party interspersed with apocalyptic disaster.
Make of it what you will.
September in the Rain by John Godber
September in the Rain is an evocation of a lost
working-class way of life, with something a little darker below the surface.
The story follows the life of Yorkshire miner Jack and his over verbose wife,
Liz.
The play is autobiographical as it follows the lives of the author’s own
grandparents, based on the stories they told, on many occasions.
It is
portrayed in John Godber’s minimalist style where an elaborate stage setting is
replaced by a
multimedia staging and by two actors who take on the roles of
several others.
It is also designed to show how the effects of a demanding
occupation can result
in the expressions of extreme emotions whilst simultaneously
can be damaging to health and well-being.
After honeymooning in Blackpool in 1950, Jack and Liz make
the destination habitual for the next thirty years.
The highs and lows of a
marriage are displayed through claustrophobically small bedrooms, predatory
landladies,
trips up the Tower, talent competitions and highly charged
discussions on beachwear.
The full gamut of emotions are displayed in ways that
will be familiar to many.
This is certainly one of Rushen Players’ more challenging
productions and one where the actors only represent the tip of the iceberg.
We
are indeed fortunate that the Erin Arts Centre can cater for the projection of
slides and can provide
a sound effect that can transport you to the top of that
580 foot icon of the British Seaside resort - Blackpool Tower.
Reginald Dixon
will be on the Wurlitzer, Jo Stafford will sing the title song whilst Wallace
Arnold will be around to transport you safely home.
The production team is pleased to be taking this offering to
the Gaiety Theatre as part of the MADF Easter Festival of Plays.
It will be staged
on Thursday 13th April at 7:30. If you would like a repeat performance your
support would be greatly appreciated.
You need to be wrapped up for that walk along the prom - the
sea air has turned a bit nippy!
Dancing shoes for that waltz in the Tower
Ballroom are essential.
The rooms are not en-suite so don’t drink too much
before bedtime or you’ll disturb the residents with your flush, flush!
Lastly
don’t forget to pay your bill for fish and chips at Stanley’s. He’s still
chasing a couple that forgot to pay last year!
There is some (mild) bad language but plenty of laughs and
tears. A box of Kleenex is recommended but not essential. ENJOY!