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These notes are to provide a little more background information to the play
than we are able to fit in the paper programme
Director’s Notes
Welcome to the Rushen Players’ production of Three One Act Plays
"Depending
on how you use it, I guess, thought is our salvation and our damnation” –
Person One
A chance encounter of two people at the
edge of an abyss develops into a conversation about what drives people to this
place
and what makes them want to keep on living.
one-act and full- length plays and screenplays.
In 1998 and 2000
he was a finalist in the Eugene O'Neill National Playwriting Conference.
A
Bench At The Edge won best one-act play in Ireland in 1999 and in the United
Kingdom in 2001.
His avant-garde plays combine absurdist comedy with serious
themes of the human condition, including mental health.
A
Bench At The Edge explores the damage people are capable of inflicting on
themselves and on others,
but through its wit and humour allows the audience to
think about
issues of death and suicide--to contemplate the abyss--without
being driven to despair.
In the end, the play is life-affirming, despite its
sombre and at times disturbing subject matter.