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These notes are to provide more background information to the play
than we are able to fit in the paper programme
Director’s Note
Welcome to the Rushen Players’ production
of A Christmas Carol by Charles Dickens.
Here are a few thoughts from
our director, Sarah Lockyer.
In
1843, Charles Dickens, despite being an established author, was under a lot of
financial pressure, so he took time out from writing longer novels in the hopes
that a short, seasonal tale would be successful. He wrote A Christmas Carol in
just six weeks. It was first published on December 19th that year, and the
first edition sold out by Christmas Eve. By 1844, the novella had gone through
13 printings and its popularity has continued to this day. In
the now familiar tale, miserly Scrooge, who only cares about making and keeping
money, refuses to use any of his wealth to help the poor and suffering. Visited
by the ghost of Marley his old business partner and then the spirits of
Christmas past, present and future, Scrooge sees the error of his ways and
determines to change. Awaking a new man on Christmas morning, he opens his
heart--and wallet to benefit the needy, starting with his clerk Bob Cratchitt
and his crippled son Tiny Tim. Like
many of Dickens’ other works, A Christmas Carol was written not only as
entertainment but as social commentary. He knew all too well the appalling
poverty of so many Londoners and the dreadful conditions in the factories,
workhouses and debtors' prisons. This little book in particular did a great
deal to change attitudes in his time, and the message of A Christmas Carol
still resonates today. There
have been over a hundred screen versions of A Christmas Carol, two ballets and
four operas, and countless dramatic productions, both amateur and professional,
are performed every year around the world. This
version was written specially for the Rushen Players, sticking closely to
Dickens' original story, themes and words, and incorporating traditional carols
to evoke the warmth and charm of a Victorian Christmas. |